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IDENTITY(Ek Nayi Pehchan).avi

my first short film.....

Jolly L.L.B

14^th September, 2011.

Jolly L.L.B is a 20^th Century FOX produced film with director Subhash Kapoor, (Phas Gaya Re Obama).

Starring Arshad Warsi, Amrita Rao & Boman Irani.   

Budget of this film is approx. 7-8 Crores.

Jolly LLB is about a LLB qualified person who is a good-for-nothing man. Kapoor informs that LLB is a satire on the judicial system of India. Maximum portions of the film are shot in the college campus and a considerable amount of it is shot in the courtroom.

Initially the film was offered to shah rukh khan, when he rejected the role was offered to Arshad Warsi. This film is scheduled to be shooting at Satara, Delhi, and Bombay. 

We were accompanied by the manager of project from FOX on the film, he helped us to understand the shooting and how the process goes on making a fully fledged movie in Bollywood.

We met the crew and some professionals on the sets like the Executive producer (Naren), production designer (Suman Roy Mahapatra) & the editor of the movie.

Basically we were thought about how the production works in accepting the films and producing them.

·        Script is been read by the head of the production house of India, then send to the parent company in los Angeles, if the script is been selected then the approval comes, the script is again read by the director and the important members of the film crew and if they like then the film budget is mapped.

·        Then we met the man behind making the sets and the scenes colorful and look good behind the scene on screen, which is called as the art designer. He taught us how he works to get the combinations of the colors and the designs right. It was his second movie.

·        We met with the costume designer of the film, she also has told us about the hard work goes to make the dresses and the wardrobe to perfectly fit according to the scenes and the shoot going on.

·        We met with the editor of the film who is not suppose to be at the sets according to rules but he was there to get a good look at what to edit and how to edit on the spot or later after the shoot gets over in the night with the director of the film to get an fair idea.

·        We also saw things like keeping the list of the scenes shoot and maintaining that list to each and every scene which has been taken on camera so that at the time of editing there is no confusion with the editor after the production is done.

·        I have got a great experience of having a look at the perfect timings maintained by the crew, members and actors that is scheduled on paper to come to shoot and the atmosphere on the sets.

·        There were around 120 – 150 crew members on the particular day, 50 – 70 co-actors or background actors per day.

·        They taught us the main difference between the T.V daily soap shoot and the film.

·        There is atleast 3-4 retakes of the particular scene, it may come down to 2 also and may go up by 10 also if the director wants to.

·        We assumed that the acting is a very easy task to do but when we saw the sweat behind, then we realized that its not to easy to be an actor or actress in the film.

·        It’s not at all about glamour and high power or elite people but it’s a team work which is to have everyone contributing and doing their own work to make the film run.

·        If the schedule gets delayed, the production cost goes up which makes the budget go up and alter accordingly.

·        We saw the equipments, labour which were used there, carried from Bombay to set.

·        We had a experience of handling the equipments and its importance of them.

       

      The huge work goes on for a film to go on air which needs props, vehicles, playback song, special requirements, art department/set dressing, wardrobe, hair/ make up,, sound, camera, make up van/ generator, Pa system/walkies talkies, production /location, crew strength, trucks, choreographer, lights, grips, crane/ jib, stills, misc. .

I have got a good knowledge of the Bollywood main screen shooting, I have learnt so many things from this outdoor, that I have got confidence in me to make my own self to go and work harder and harder to lead a life like them. I would request my college to have some more activities like this to gain more knowledge in near future to make our mark in the industry.

I want to sum up my report by paying regards to Mrs. Shabnam Sukhdev & Centum U for allowing us as media professionals to go and bear our cost. It was and life time experience for me to go and directly look at the shooting through my eyes live without contribution of my college.

RAHUL RAO (M & E).

SPANISH FILM FESTIVAL...

SPANISH FILM FESTIVAL

The Spanish Film Festival which took place in Pune was organized by Pune International Film Festival (PIFF). Pune Film Festival is established to promote the exhibition of National and International Films jointly with government of Maharashtra.

This festival was organized in the famous National Film Archive of India (NFAI).

The mission of NFAI is to safeguard the heritage of Indian and International cinema for dissemination of Healthy Film Culture, promotion and research on various aspects of cinema. Since 1964 it has evolved in to a great liberty of books, periodicals, film scripts, film prints. NFAI organizes film screenings and festivals in collaboration with film societies, cultural organizations and educational institutions.

The Spanish Film Festival in India is an event promoted by casa de la India (India House) in Spain in collaboration with Spanish institute for Cinema and Audiovisuals Arts (ICAA) of Spanish ministry of culture, the Spanish agency for International Corporation and Development (AECID), the Spanish Organization for the management of producers rights (EGEDA), the instituto Cervantes in N. Delhi and the embassy of Spain in India.

The films which were screened were:-

1.      EL SECRETO DE SUS OJOS (the secret in their eyes) 129 min.

2.      HIERRO (hierro) 94 min.

3.      LOS ABRAZOS ROTOS (Broken Embraces) 127 min.

4.      GARBO: EL ESPIA (Garbo: The Spy) 87 min.

5.      TRES DIAS CON LA FAMILIA (Three days with the family) 85 min.

6.      NACIDAS PARA SUFRIR (Born to suffer) 112 min.

7.      YO, TAMBIEN (Me too) 103 min.

8.      CELDA 211 (Cell 211) 113 min.

9.      AGORA (Agora) 126 min.

Among these Films screened I loved CELDA 211 & EL SECRETO DE SUS OJOS the most.

CELDA 211 is a Action thriller movie which is shot in a prison with all the real prisons and real location and I liked the idea and how the story progresses with the main entrance of the prison official who is going to start his new job on the same day the prisoners organize a riot. Caught up in a fast-changing and dangerous situation, he is forced to exploit for the maximum, he is a born survivor teetering on the edge of an abyss.

EL SECRETO DE OJOS is romantic thriller and a murder case which has remained indelibly etched on Benjamin Esposito’s mind. The main thing in this movie is it’s full of suspense and the conclusion in the end is somewhat unclear, now retired, he decides to go back over that sory and take another look at a past full of love, death and friendship and rewrite his future.

TRES DIAS CON LA FAMILIA is a family drama which don’t come together till their grandfather and dad of the three sons and a daughter dies, the three days of the weak and the funeral are full nostalgia and the grief brought about the death. Lea rebels against this world of hypocrisy, although it clings to her skin like a tailor suit. 

It was a great experience which has given the jest and the whole idea of the films the Spanish has made and makes in their country and the culture and the living style of the country and the language is so amazing and so real acting in films.

The direction and the production were awesome, there was great camera work too and the stills taken have been amazing which are all real.

I would like to thank my mentor and my teacher for allowing me to spend some time for this beautiful film festival.

In the near future I would love to participate in the other film festivals also and love to learn so many things from them.

RAHUL RAO

(M & E student)

CENTUM U

WEBSITE ANALISES

WEBSITE ANALISES

FACEBOOK:-

Facebook is a social networking service and website launched in February 2004, operated and privately owned by Facebook, Inc. As of January 2011, Facebook has more than 600 million active users. 
Users may create a personal profile, add other users as friends, and exchange messages, including automatic notifications when they update their profile. Additionally, users may join common interest user groups, organized by workplace, school or college, or other characteristics.
The name of the service stems from the colloquial name for the book given to students at the start of the academic year by university administrations in the United States to help students get to know each other better. Facebook allows anyone who declares them to be at least 13 years old to become a registered user of the website.
Facebook was founded by Mark Zuckerberg with his college roommates and fellow computer science students Eduardo Saverin, Dustin Moskovitz and Chris Hughes. The website's membership was initially limited by the founders to Harvard students, but was expanded to other colleges in the Boston area, the Ivy League, and Stanford University. It gradually added support for students at various other universities before opening to high school students, and, finally, to anyone aged 13 and over.
A January 2009 Compete.com study ranked Facebook as the most used social networking service by worldwide monthly active users, followed by MySpace.
 Entertainment Weekly included the site on its end-of-the-decade "best-of" list, saying, "How on earth did we stalk our exes, remember our co-workers' birthdays, bug our friends, and play a rousing game of Scrabulous before Facebook?" Quant cast estimates Facebook has 135.1 million monthly unique U.S. visitors in October 2010. According to Social Media Today, in April 2010 an estimated 41.6% of the U.S. population had a Facebook account.
Users can create profiles with photos, lists of personal interests, contact information, and other personal information. Users can communicate with friends and other users through private or public messages and a chat feature. They can also create and join interest groups and "like pages" (formerly called "fan pages", until April 19, 2010), some of which are maintained by organizations as a means of advertising.
To allay concerns about privacy, Facebook enables users to choose their own privacy settings and choose who can see specific parts of their profile. The website is free to users, and generates revenue from advertising, such as banner ads.
Facebook requires a user's name and profile picture (if applicable) to be accessible by everyone. Users can control who sees other information they have shared, as well as who can find them in searches, through their privacy settings. The media often compare Facebook to MySpace but one significant difference between the two websites is the level of customization.
Depending on privacy settings, anyone who can see a user's profile can also view that user's Wall. In July 2007, Facebook began allowing users to post attachments to the Wall, whereas the Wall was previously limited to textual content only.

On February 23, 2010, Facebook was granted a patent on certain aspects of its News Feed. The patent covers News Feeds in which links are provided so that one user can participate in the same activity of another user. One of the most popular applications on Facebook is the Photos application, where users can upload albums and photos.
Facebook is the most and popular where all people come and connect with each other and with the world also. 

An inspiring story of the creators of LAGAAN................

Chale Chalo

"An Idea That Nearly Died"

"A Script No One had The Guts To Touch"

A Shoot That Was All But Abandoned"

A Spirit That Refused To Accept Defeat"

Premiering into your home, the National Award Winning, full length movie by Satyajit Bhatkal on the making of the classic, LAGAAN. In Anamorphir Widescreen With Full Dolby Digital 5.1 Sarround sound, "Chale Chalo" journeys through the dreams and the nightmares, the loneliness and comradeship, the despair and exhilaration of Aamir Khan, Ashutosh Gowariker and the mammoth team numbering thousands,drawn from the far corners of the globe, as they battled it out in the heat of Kutch Desert.

" A great-watch on its own merit, even for someone who actually hasn't seen LAGAAN!"

the Story of how Lagaanites met challenge after challenge has striking parallels to the film itself...except that "Chale Chalo" is a true story!

This is India's first theatrically released Documentary!

u can have a look at the film in a different way as u go on the climax starts building and there comes tears in the eyes as how the pre and post production has been.

what u call as the behind the scenes is shown really the process of it during the film and the great pleasure as it completed.

it was an experience to me at least as a media student and as i have to go through these all things in my life............

it shows how to find a location, how to set up the location, how to pre plan the budget of the film and the cost of the film making, scheduling the film process, cast and crew of the film, members of the crew, scheduling of the shooting, art and set designing, process of building the film team to work on the film terms and basics. finding and setting up the jobs of the people working on the movie, Hardwork, stress, and the work.....

Aamir khan-"I am there with u ashu do what u really planned to do"

1. development of script
2. casting film
3. location managers
4. planning pre and pro production.

After all producers rejected this script of Aushutosh Gawarekar finally aamir accepted the proposal as an actor and producer of the film.

April 1998 to june 1999:-

This was the time in which the pre production was planned and acted upon. To find out the place called champaran which he needed as the set for the film was finally found in the state of most developing in the country and it was kutch in Bhugh district with no transport, high temperature, no water, hospitality,people with 3 hotels.

the music for this film was composed by the great person called A.R.Rehman.

May 1999:-

The audition for the actors started as screen test for final selection.

July:-

The selection for foreign casting started in england they all were the actors who know how to play cricket and little bit of Acting too.

Reena 1st wife of Aamir khan who was the first executive producer, designed the budget of the film. she decided the budget to be 12 Cr. which was just a brief estimation.

August-October 1999:-

Started the journey for the planting of the real village called Champaran and the real set was designed and prepared.

5Th Dec 1999:-

31 days to go for day1, they selected the junior artists from the near village and districts.

Dec 15th 1999:-

Music recording started 22 days before the day1.

1st january 2000:-

All the actors an the whole team of film came to the set up area in kutch before the shooting started, to get the real feeling and set themselves in that environment and get used to it.

6th january 2000:-

After the long pre production of 1 year with lot of Emotions and Tention. The first shot was shot, there were the whole family of Aamir khan and the whole team of "THE GREAT LAGAAN ". Everyone congratulated ashu for the biginning shot with perfect timing and the perfect schedule.

The hardest and the most toughest part of the film was the shoot of climax with atleast 10000 members as audience for cricket. The villagers of the near by villages were called for 1 day shoot and more 3 cameras were called for the different shoot and to capture the whole moment in 1 day.

As the time passed on and the shooting was too slow and not according to the schedule which was planned and the budget also shooooked 3 -5 Cr. more. There were lot of hardships and lot of injuries gng on and the shooting was also gng onn side by side.

As the shooting got over there was a great relief on the faces of each and every member of the family of the film LAGAAN.

"Jiwan mushkil jaroor hai but bahut khoobsurat bhi hota hai "

Here u go for a rock and roll experience on the making of the film..........

Goa is fantastic.............

some truths about Bollywood...

ARTICLE

Bollywood films are multi-million dollar productions, with the most expensive productions costing up to 100 Crore rupees (roughly USD 20 million). Sets, costumes, special effects, and cinematography were less than world-class up until the mid-to-late 1990s, although with some notable exceptions. As Western films and television gain wider distribution in India itself, there is an increasing pressure for Bollywood films to attain the same production levels, particularly in areas such as action and special effects. Recent Bollywood films have employed international technicians to improve in these areas, such as Krish (2006) which has action choreographed by Hong Kong based Tony Ching. The increasing accessibility to professional action and special effects, coupled with rising film budgets, has seen an explosion in the action and sci-fi genres.

Sequences shot overseas have proved a real box office draw, so Mumbai film crews are increasingly filming in Australia, Canada, New Zealand, the United Kingdom, the United States, continental Europe and elsewhere. Nowadays, Indian producers are winning more and more funding for big-budget films shot within India as well, such as Lagaan, Devdas and other recent films.

Funding for Bollywood films often comes from private distributors and a few large studios. Indian banks and financial institutions were forbidden from lending money to movie studios. However, this ban has now been lifted. As finances are not regulated, some funding also comes from illegitimate sources, such as the Mumbai underworld. The Mumbai underworld has been known to be involved in the production of several films, and is notorious for their patronization of several prominent film personalities; On occasion, they have been known to use money and muscle power to get their way in cinematic deals. In January 2000, Mumbai mafia hit men shot Rakish Roshan, a film director and father of star Hrithik Roshan. In 2001, the Central Bureau of Investigation seized all prints of the movie Chori Chori Chupke Chupke after the movie was found to be funded by members of the Mumbai underworld.

Another problem facing Bollywood is widespread copyright infringement of its films. Often, bootleg DVD copies of movies are available before the prints are officially released in cinemas. Manufacturing of bootleg DVD, VCD, and VHS copies of the latest movie titles is a well-established 'small scale industry' in parts of South Asia and South East Asia. The Federation of Indian Chambers of Commerce and Industry (FICCI) estimate that the Bollywood industry loses $100 million annually in loss of revenue from pirated home videos and DVDs. Besides catering to the homegrown market, demand for these copies is large amongst some sections of the Indian diaspora, too. (In fact, bootleg copies are the only way people in Pakistan can watch Bollywood movies, since the Government of Pakistan has banned their sale, distribution and telecast). Films are frequently broadcast without compensation by countless small cable TV companies in India and other parts of South Asia. Small convenience stores run by members of the Indian diaspora in the U.S. and the UK regularly stock tapes and DVDs of dubious provenance, while consumer copying adds to the problem. The availability of illegal copies of movies on the Internet also contributes to the piracy problem.

Satellite TV, television and imported foreign films are making huge inroads into the domestic Indian entertainment market. In the past, most Bollywood films could make money; now fewer tend to do so. However, most Bollywood producers make money, recouping their investments from many sources of revenue, including selling ancillary rights. There are also increasing returns from theatres in Western countries like the United Kingdom, Canada, and the United States, where Bollywood is slowly getting noticed. As more Indians migrate to these countries, they form a growing market for upscale Indian films.

For an interesting comparison of Hollywood and Bollywood financial figures, see chart. It shows tickets sold in 2002 and total revenue estimates. Bollywood sold 3.6 billion tickets and had total revenues (theatre tickets, DVDs, television etc.) of US$1.3 billion, whereas Hollywood films sold 2.6 billion tickets and generated total revenues (again from all formats) of US$51 billion.

Advertising, many Indian artists used to make a living by hand-painting movie billboards and posters (The well-known artist M.F. Hussein used to paint film posters early in his career). This was because human labour was found to be cheaper than printing and distributing publicity material. Now, a majority of the huge and ubiquitous billboards in India's major cities are created with computer-printed vinyl. The old hand-painted posters, once regarded as ephemera, are becoming increasingly collectible as folk art.

Releasing the film music, or music videos, before the actual release of the film can also be considered a form of advertising. A popular tune is believed to help pull audiences into the theaters.

Bollywood publicists have begun to use the Internet as a venue for advertising. Most of the better-funded film releases now have their own websites, where browsers can view trailers, stills, and information about the story, cast, and crew.

Bollywood is also used to advertise other products. Product placement, as used in Hollywood, is widely practiced in Bollywood.

Bollywood movie stars appear in print and television advertisements for other products, such as watches or soap (see Celebrity endorsement). Advertisers say that a star endorsement boosts sales.

Thus all the Bollywood members earn a lot in all ways.

“Vincent van Gogh” life............

“Vincent van Gogh” Birth Year : 1853 Death Year : 1890 Country : Netherlands Vincent van Gogh, for whom colour was the chief symbol of expression, was born in Groot-Zundert, Holland. The son of a pastor, brought up in a religious and cultured atmosphere, Vincent was highly emotional and lacked self-confidence. Between 1860 and 1880, when he

finally decided to become an artist, van Gogh had had two unsuitable and unhappy romances and had worked unsuccessfully as a clerk in a bookstore, an art salesman, and a preacher in the Baronage (a dreary mining district in Belgium), where he was dismissed for overzealousness. He remained in Belgium to study art, determined to give happiness by creating beauty. The works of his early Dutch period are sombre-toned, sharply lit, genre paintings of which the most famous is "The Potato Eaters" (1885). In that year van Gogh went to Antwerp where he discovered the works of Rubens and purchased many Japanese prints. In 1886 he went to Paris to join his brother Theo, the manager of Goupil's gallery. In Paris, van Gogh studied with Cormon, inevitably met Pissarro, Monet, and Gauguin, and began to lighten his very dark palette and to paint in the short brushstrokes of the Impressionists. His nervous temperament made him a difficult companion and night-long discussions combined with painting all day undermined his health. He decided to go south to Arles where he hoped his friends would join him and help found a school of art. Gauguin did join him but with disastrous results. Near the end of 1888, an incident led Gauguin to ultimately leave Arles. Van Gogh pursued him with an open razor, was stopped by Gauguin, but ended up cutting a portion of his own ear lobe off. Van Gogh then began to alternate between fits of madness and lucidity and was sent to the asylum in Saint-Remy for treatment. In May of 1890, he seemed much better and went to live in Auvers-sur-Oise under the watchful eye of Dr. Gachet. Two months later he was dead, having shot himself "for the good of all." During his brief career he had sold one painting. Van Gogh's finest works were produced in less than three years in a technique that grew more and more impassioned in brushstroke, in symbolic and intense colour, in surface tension, and in the movement and vibration of form and line. Van Gogh's inimitable fusion of form and content is powerful; dramatic, lyrically rhythmic, imaginative, and emotional, for the artist was completely absorbed in the effort to explain either his struggle against madness or his comprehension of the spiritual essence of man and nature.

Get the list of the kapoor family since generaions...

Kapoor family

Originally hailing from the city of Samundri, District Lyallpur, Punjab of Hindu origin, five generations of the Kapoor family have acted, directed or produced in the Bollywood industry, starting from Dewan Basheswarnath Kapoor right down to Ranbir Kapoor. It was founded by actor Prithviraj Kapoor, whose eldest son Raj Kapoor became a superstar in the Hindi film industry, and his two other sons (Shashi Kapoor and Shammi Kapoor) became stars in their own right. Most members of the family have either acted in, produced or directed films, and have had a major impact on Indian films.

Though all three of Prithviraj Kapoor's sons became actors, it is Raj Kapoor's descendants that have carried on the family legacy. His sons, Randhir Kapoor and Rishi Kapoor went on to become well-known actors whilst his youngest son Rajiv Kapoor was not as successful as his brothers. Randhir Kapoor's daughters, Karisma Kapoor and Kareena Kapoor, have gone on to find success in the film industry, although the former has temporarily retired due to marriage. In addition to that, Rishi Kapoor's son, Ranbir Kapoor made his debut in 2007 opposite Sonam Kapoor, the daughter of Anil Kapoor, in Sanjay Leela Bhansali's Saawariya.

Family tree

Members of the Kapoor Family

1st generation

* Dewan Basheswarnath Kapoor - a retired policeman and son of Dewan Keshavmal Kapoor who made a cameo in his grandson Raj Kapoor's movie, Awaara (1951)

2nd generation

* Prithviraj Kapoor - eldest son of Dewan Basheswarnath Kapoor; married to Ramsarni Mehra

* Trilok Kapoor - second son of Dewan Basheswarnath Kapoor

3rd generation

* Raj Kapoor - eldest son of Prithviraj; married to Krishna Malhotra

* Shammi Kapoor- second son of Prithviraj; married to Geeta Bali (first wife) and Neila Devi (second wife)

* Shashi Kapoor - youngest son of Prithviraj; married to Jennifer Kendal

* Urmila Sial - daughter of Prithviraj

4th generation

* Randhir Kapoor - eldest son of Raj Kapoor; married to Babita

* Rishi Kapoor - second son of Raj Kapoor; married to Neetu Singh Kapoor

* Rajiv Kapoor (Chimpu) - youngest son of Raj Kapoor

* Ritu Nanda - eldest daughter of Raj Kapoor; married to Rajan Nanda

* Rima Kapoor Jain - second daughter of Raj Kapoor; married to Manoj Jain first son,name of Mohitjain

* Kanchan Desai - daughter of Shammi Kapoor; married to Ketan Desai, son of Manmohan Desai

* Aditya Raj Kapoor - son of Shammi Kapoor; married to Priti

* Kunal Kapoor - eldest son of Shashi Kapoor and Jennifer Kendal, married to Sheena Sippy, daughter of film director Ramesh Sippy

* Karan Kapoor - second son of Shashi Kapoor and Jennifer Kendal

* Sanjana Kapoor - daughter of Shashi Kapoor and Jennifer Kendal; married to Valmik Thapar

* Namita Kapur - daughter of Urmila Sial, married to Vicky Kapur

* Anuradha Kheta - daughter of Urmila Sial

* Priti Grover - daughter of Urmila Sial, married to Sandeep Grover

* Jatin Sial - son of Urmila Sial, married Kavita Sharma

5th generation

* Karisma Kapoor - eldest daughter of Randhir Kapoor and Babita; married to Sanjay Kapur

* Kareena Kapoor - second daughter of Randhir Kapoor and Babita; in a relationship with Saif Ali Khan

* Ranbir Kapoor - son of Rishi Kapoor and Neetu Singh Kapoor

* Armaan Jain - eldest son of Rima and Manoj Jain

* Aadar Jain - second son of Rima and Manoj Jain

* Riddhima Sahni Kapoor - daughter of Rishi Kapoor and Neetu Singh Kapoor; married to Bharat Sahni

* Nitasha Nanda - daughter of Ritu Nanda and Rajan Nanda

* Nikhil Nanda - son of Ritu Nanda and Rajan Nanda; married to Shweta Bachchan-Nanda, daughter of Amitabh Bachchan and Jaya Bachchan

* Pooja Desai - eldest daughter of Kanchan and Ketan Desai

* Rajrajeshwari Desai - second daughter of Kanchan and Ketan Desai

* Vishwapratapraj Kapoor - son of Aditya Raj Kapoor and Priti Kapoor

* Tulsi Kapoor - daughter of Aditya Raj Kapoor and Priti Kapoor

* Zahan Prithviraj Kapoor - son of Kunal Kapoor (Kapoor family) and Sheena Sippy

* Shaira Laura Kapoor - daughter of Kunal Kapoor (Kapoor family) and Sheena Sippy

* Hameer - son of Sanjana Kapoor and Valmik Thapar

* Anisha Kapur - daughter of Namita Kapur

* Vibha Kapur - daughter of Namita Kapur

* Varun Kapur - son of Namita Kapur

* Nushka Kheta - daughter of Anuradha Kheta

* Priyanka Kheta- daughter of Anuradha Kheta

* Sukriti - elder daughter of Priti Grover and Sandeep Grover

* Nainika - younger daughter of Priti Grover and Sandeep Grover

* Ammeya Sial - daughter of Jatin Sial

* Myra Sial - daughter of Jatin Sial

6th Generation

* Samaira Kapur - daughter of Karisma Kapoor and Sanjay Kapur

* Kiaan Raj Kapur - son of Karisma Kapoor and Sanjay Kapur

* Navya Naveli Nanda - daughter of Nikhil Nanda and Shweta Bachchan-Nanda

* Agastye Nanda - son of Nikhil Nanda and Shweta Bachchan-Nanda